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italian- mexican Tenor (double citizenship)
August 2017 First Prize at the International Opera competition "Mario Lanza" at Filignano (Italy). Winner of the F.O.N.C.A. scholarship 2016 in México City for arts and development and support of artists out of the country. Public prize and Outsanding Musician in the IBLAcompetition 2016 at Ragusa (Italy). In 2015 August Winner of the Mozart Prize at the Grandi Voci intenational opera competition at the Oper im Berg Festival in Salzburg (Austria), and in March of the same year, 3rd place at the O.M.E.G.A. opera contest in Florence, (Italy)October 2014 Winner of the prizes Maria Caniglia & Anselmo Colzani at the international Opera Competition "Benvenuto Franci" in Pienza (Italy).May 2014, 3rd place at the Opera-Contest "Terra degli Imperiali" in Francavilla, (Italy)December 2013 - Winner of the special price "The Song-Price" in the international opera competition "Marie Kraja" in Tirana (Albania). Presented by the Rotary Club di Cittadella (Italy), as part of the group "I Nuovi talenti 2014", promoting the best students of the academies and schools in the aria of Veneto. He was suggested by the great Italian tenor "Gianfranco Cecchele" and registered nominative in the Mario del Monaco Association of the city of Modena (Italy) in 2016.
Finalist of the competitions:
Concorso Katia Ricciarelli in Verona, (Italy) 2015, Giovan Battista Rubini in Romano di Lombardia, (Italy) 2014, Armel Competition, Paris, (France) & Budapest, (Hungary) 2014, Toti dal Monte, Treviso (Italy) 2013
Semifinalist at the international competitions:
Montserrat Caballè in Zaragoza (Spain) 2012 & Spiros Argiris in Sarzana (Italy) in the same year.
July 2017 debute in Richard Wagners “Der fliegende Holländer“ as Dalands Steuermann at Statopera Ruse (Bulgaria).sung in german.
June 2017 debute in Mozarts “Die Entführung aus dem Serail” as Belmonte at Stateopera Ruse (Bulgaria) sung in german.
April/May 2017 debute in Puccini's "Gianni Schicchi" as Rinuccio - a production of "Opera incognita" under the direction of Mº Ernst Bartmann and directed by Mº Andreas Wiedermann in the ArtCenter Dorfen and Castle Nyphenburg (Hubertussaal) in Munich (Germany).
January 2017 he became solist in the steady ensamble of State Opera Ruse (Bulgaria). His first appearences there have been with the main rolls of "La Traviata", "Barbiere di Siviglia", "Der Rosenvavalier" as The Tenor and Der Wirt (scene regiseur Mtra.Vera Nemirova) and directed by prestigious directos like Georgie Dimitrov, Naiden Todorov, Dario Salvi, and Anthony Armore.
December 2016 e repeated the roll of Nemorino in Donizetti's "L'Elisir d'Amore" at Teatro Testoni of Porreta Terme, Bologna (Italy) under the direction of Lorenzo Giossi.
August 2016 debut of Remendado in Bizet`s "Carmen" at Tonhalle from Zürich (Schweiz) under direction of Wiktor Wokman and Regist Paolo Paniza.
March 2016 debut as Ramiro in Rossini’s "Cenerentola" at Buscoldo Theater, Mantova (Italy) under direction of Maestro Daniele Anselmi.
November 2015 he debuted formally in Rossini’s "Barbiere di Siviglia" as Conte Almaviva at Teatro Testoni of Porreta Terme, Bologna (Italy) under stage direction of Lorenzo Giossi.
September 2015 debuted as Edgardo in Donizeti’s "Lucia di Lammermoor" in the Ludwig-Thoma-House Theater in Dachau (Germany) under the musical direction of Marco Antonio Mendoza. and in March 2016 in the Stara Zagora Theatre (Bulgaria) unter the Direction of Maestro Ivaylo Krinchev
In July 2015 he took part in the Opera Studio of the "Musik Festival Sozopol" in Bulgaria, under the lead of Mª Soprano Darina Takova with the entire Puccini Opera "La Rondine" in the roll of Ruggero.
In January 2015 he debuted in the role of Prince Tamino in Mozart's "Zauberflöte", in original language, in a production of the "Oper im Berg Festival" in Salzburg, under the direction of Mº. Nakazawa.
In July 2014 he made his formal debut in Verdi’s "Traviata" in the roll of Alfredo at the Opera Festival of Bassano del Grappa (Italy) as part of the opera season, under direction of Mº Steffano Romani and scenes by Federico Bertolani.
2013 he debuted in the role of Ferrando in Mozart's "Così fan tutte" at the Theatre Community Unterföhring, (Germany) and Dachau, under the direction of Mº Schuler-Meybier and directed by Barbara S. Weber.
The same year debuted as Rodolfo in Puccini's "La Bohème", a production of "Opera incognita" under the direction of Mº Ernst Bartmann and directed by Mº Andreas Wiedermann in the ArtCenter Dorfen, Castle Nyphenburg (Hubertussaal) in Munich and in the Theater "Am Haagen", Straubing (Germany).
2011-2012 he debuted at "L'Academia di Santa Croce" in the city of Trieste (Italy), with the role of Nemorino in Donizetti's "L'Elisir d'Amore" under the direction of Mº Baritone Alessandro Svab, and at Livorno (Italy) under the direction of Mº Alessio Pizzech in the same year.
He was selected by the Tuscan Labaratory Teatro Goldoni in Livorno, to debut as Don Ottavio in the Mozart's opera "Don Giovanni", and repeated it at Miramar Castle in Trieste.
2010 debuted as Count Almaviva in Rossini's "The Barber of Seville", Alfredo in Verdi's "La Traviata" and Duca di Mantova in Verdi's "Rigoletto" at the Cultural Association "Musica a Palazzo" in Venice (Italy).
His first appearance in Italy was 2009 in Livorno city, at the Teatro Goldoni in the role of Fatty in Weill's "Aufstieg und Fall der Stadt Mahagonny" as a member of the "Laboratorio Lirico Toscana" under the direction of Mº Jonathan Web and stage direction Mº Alessio Pizzech.
2009 to 2012 he got his Italian Citizenship and with a Mexican scholarship from the company Mercasol to continue his studies in classical singing technique in every country he lived. In Venice (Italy), he developed his bel canto technic for three years under the guidance of Mª Alessandra Althoff Pugliese, Vice President of the Richard Wagner Association in Venice, and participated in her master classes at the Mozarteum University of Salzburg (Austria) and the Academy "Ca 'Zenobio" Treviso (Italy) and the official Circulo di Padova (Italy).
2012 till 2016 he transfered to Salzburg and continued his vocal studies under the direction of Mº Tenor Mario Diaz Varas with a full scholarship and made his first appearance in Germany in 2013, at the Theater an der Roth in Eggenfelden in the Terence McNally’s play "Master Class" as Tony Candolino.
From 2007 to 2008 he was a member of the "Philadelphia Internatioal Opera Theater" under the direction of Mª Karen Saillont, in contemporary operas about Shakespeare , in Philadelphia (United States) and Città della Pieve (Italy). In the same year, he was selected as a student for the "Opera Works Program" at the Northern California State University of Los Angeles (United States), where he studied under the direction of Mª Ann Baltz.
2007 he continued his vocal studies in Mexico city with Mª Soprano Adriana Diaz de León and later with Mº Bariton Arturo Nieto until his departure to Europe.
Between 2003 and 2006 he studied vocal technique and worked in the organization of the "Academia Internazional de Canto Willy Gutierrez" in México City.
2002 he debuted in his first operetta in "Molinos de viento" by Pablo Luna with the lead role of Captain Alberto, a production of the “Escuela Nacional de Musica” at the theater Vizcaínas in México City, under the direction of Mº Ricardo Cinta y Lourdes Villanueva, within the group of students of Mº Enrique Jaso Mendoza.
In 2000 simultaneously to his vocal formation he graduated in theater studies at the "Centro de Educacion Artistica Televisa" C.E.A., in México City.
From 1999-2008 he worked as an actor in plays of classic theater authors such as Molière, Shakespeare, Tennessee Williams, Oscar Wilde, Juan Rulfo, etc., mainly being a member of Mº Luis Miguel Vallez company, which is now transformed into the prestigious “Teatro Hipodromo Condesa”